Tone Generator







W. A. Mozart : Symphony 29
Hi-res audio version on Tidal.com





W. A. Mozart : Symphony 32
Hi-res audio version on Tidal.com – click selected melody.





W. A. Mozart : Symphony 39
Hi-res audio version on Tidal.com – click selected melody.





W. A. Mozart : Symphony 40
Hi-res audio version on Tidal.com





W. A. Mozart : The concert for violin 1
Hi-res audio version on Tidal.com





W. A. Mozart : The concert for violin 2
Hi-res audio version on Tidal.com





W. A. Mozart : The concert for violin 3
Hi-res audio version on Tidal.com





W. A. Mozart : The concert for violin 4
Hi-res audio version on Tidal.com





W. A. Mozart : The concert for violin 5
Hi-res audio version on Tidal.com





W.A. Mozart : playlist with 31 String quartets
Hi-res audio version on Tidal.com





W.A. Mozart: Concertante Symphony
Hi-res audio version on Tidal.com





Gregorian chants
Hi-res audio version on Tidal.com





W.A. Mozart: part III Menuetto from Symphony. 39 *
Hi-res audio version on Tidal.com – click selected melody.





I. Albeniz : Triana from the Iberia suite
Hi-res audio version on Tidal.com – click selected melody.





F. M. Bartholdy:”Presto saltarello” part. 4 from Symphonia a IV Italian
Hi-res audio version on Tidal.com – click selected melody.





R. Wagner: Prelude act III “Lohengrin”
Hi-res audio version on Tidal.com – click selected melody.





F. Chopin: The great polish in la bemol major ( initial version for piano)




A. Haciaturian : Sword dance
Hi-res audio version on Tidal.com – click selected melody.





G. Enescu : Bourre from Suita 2 for orchestra*
Hi-res audio version on Tidal.com – click selected melody.





P.I. Tchaikovski: part III of the Symphony 6 “Pathetic”
Hi-res audio version on Tidal.com – click selected melody.





Bibliography:
Iamandescu, I.B. Receptive music therapy, Foundation Publishing House “Andrei Saguna” Constanta 2011

1. Harwich, H J. (1989). Interview, in H. Van Deest -“Musiktherapie undmusikalische Erwachsenenbi/dung. Musik-Tanz- and Kunst-therapie”, Heft, 4, 225-228.

2. lamandescu, I.B.. Papa-Velea, 0. (2001). Projekt einer psychologischen ivlethode zur Auswahl der musikalischen Stucke in der Musik-Therapie, in .Hampe, P.Martius, D.Rotschl, F.von Spreti, G.Waser (Hrsg.) – „Generationen-wechsel: Aspekte der Wandlung und Innovation in der kreativen Therapien” Bremen Universitat Verlag, 2002.

3. lamandescu, I.B., Popa-Velea, 0., Gotca, I. (2002). Relatiile dintre tipul de personalitate at subiectilor (studenti sanatosi drept audienla) si preferinla lor pentru un anumit tip de muzica si un anumit compozitor (Bach, Beethoven Schubert, Schumann), Al 2-lea Congres Regional at ISPNE, Bucuresti.

4. L’Echevin, P. (1981). fvlusique et medicine, Stock, Paris.

5. Luban-Plozza, B., Delli Pont’. M., Dickhaut, H. (1988). Musik und Psyche, Birkhauser Tatgeber. Basel, Boston, Berlin.

6. Luban-Plozza, B., Dickhaut, N.H., Knaak, L. (1987). Der Arzt als Arznei, Deutscher Arzte-Verlag, Koin.

7. Luban-Plozza, B., lamandescu, I.B. (1997). Dimensiunile psihologice ale muzicii. Introducere in muzicoterapie, Romcartexim, Bucuresti.

8. Maranto, CD. (1991). (ed) Applications of Music in Medicine. Washington, D.C.: The National Association for Music Therapy, Inc.

9. Rosolato, G. (1982). La haine de la musique, in „Psychanalyse de la musique”, Les Belles Lettres, Paris.

10. Van Deest, H. (1997). Heilen mit Musik, Thieme, Stuttgart.

11. Verdeau-Pailles, J., Luban-Plozza, B., Delli Ponti. M. (1995). La troisieme oreille et la pensee musicale, Fuzeau, Paris.

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